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A toss of satire and existential void, girlhouse delivers something for many music nerds within the DIY ethos to admire. There is a dark humor that lingers in Lauren Luiz‘s music and artistic vision.

This relatively new LA-based project paints a grim and relatable tale of “the fatalist”, the thinker whose mind can get stuck in a predetermination of our fate. “Over the line and coming back again/ We’re all gonna die, funny isn’t it?/ Making a good time sad and laughing like I’m proud of it,” hums Luiz on each chorus.

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Although feeling trapped, the writer is self-aware of the habits formed in this line of thinking: “started playing the fatalist and now I can’t snap out of it.”

The outfit showcases a goofy, ironic, homemade film of Lauren managing life in a onesie whale suit, perhaps hinting at the formidable destruction of the world’s ocean terrain and wildlife. There certainly is something to be said about a looming universal thread in music and art coming especially from younger artists like girlhouse that insinuate existential dread.

That—on top of the shitty pandemic and the presence of sudo-fascist government regimes—makes girlhouse’s lyrics a lot sensical. “Lately, times have been showing up hazy/ Empathy makes me crazy/ The crazy’s creeping in.”

Ultimately, girlhouse is perhaps doing the very thing most creators are made to do; siphoning the emotional presence of our time and making sense of it.

See also  MARIS - "Rewind"

Watch the official music video for “the fatalist” below.

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UNXIGNED is all about the indie. As an independently run music and artist discovery blog, UNXIGNED's core values are founded on the belief that music, being a universal language and an essential part of culture, must be celebrated no matter the scene an artist represents. It is our mission at UNXIGNED to help deserving indie artists—seasoned and new—be heard globally and to produce quality content for readers and listeners to enjoy.

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